2010年5月3日星期一

galerie Chantal Crousel

galerie Chantal Crousel










Mona Hatoum | Galerie Chantal Crousel | Paris | 13 March - 24 April 2010

http://fr.wikipedia.org/wiki/Galerie_Chantal_Crousel

Établie en 1980, la galerie Chantal Crousel est l'une des principales[réf. nécessaire] galeries d'art contemporain parisienne. Elle découvre des artistes de nationalités très différentes qui s'intéressent à l'expression des valeurs essentielles de la société contemporaine[non neutre].

Depuis la première exposition de Tony Cragg, la galerie a fait connaître aux institutions françaises et internationales ainsi qu'au grand public des artistes telles que Sophie Calle, Cindy Sherman, Alighiero Boetti, Richard Prince, Jenny Holzer, Wolfgang Laib, Gabriel Orozco, Mona Hatoum, Rirkrit Tiravanija, Thomas Hirschhorn, Melik Ohanian et Hassan Khan.

Direction [modifier]

Actuellement, la galerie est dirigée par Chantal Crousel et Niklas Svennung.

Artistes représentés [modifier]

Absalon, jennifer Allora & Guillermo Calzadilla, Darren Almond, Fikret Atay, Tony Cragg,Abraham Cruzvillegas, Jeroen de Rijke/Willelm de Rooij, Claire Fontaine,Isa Genzken, Wade Guyton, Fabrice Gygi, Mona Hatoum, Thomas Hirschhorn, Hassan Khan, Michale krebber, Wolfgang Laib, Jean-Luc Moulène, Moshe Ninio, Melik Ohanian, Gabriel Orozco, Anri Sala, Alain Séchas, José Maria Sicila, Reena Spaulings, Sean Snyder, Wolfgang Tillmans, Rirkrit Tiravanija, Heimo Zobernig, Wang Bing.

2010年4月29日星期四

Elina Brotherus

Elina Brotherus









“I take pictures with a big camera and I let time pass. I think and look for a long time at every stage: when I take the photograph, before I decide to do prints, and in the darkroom. Carrying heavy equipment with you means you have to put up with some discomfort or inconvenience. Making prints requires a sharp eye and a good memory.


The slowness of the film demands that the model is relatively static. The slow shutter speeds sometimes produce visual surprises. I don’t use digital technology, because I enjoy the results I get with film and photographic paper.”


--Elina Brotherus, 2006

2009年12月21日星期一

Robert Filliou

"L'art est ce qui rend la vie plus intéressante que l'art."
“艺术进入生活比艺术本身还重要”。


"I have never joined any group. I dislike -isms. In art, in life, I reject theories. Manifestoes bore me. The spirit in which things are done is what interests me," wrote Robert Filliou to George Maciunas in 1970, providing a road map for his own myriad productions. Filmmaker, "action poet," sculptor, and Happenings maestro, the Europe-based Filliou (1926-87), for all his avowed independence, also collaborated with the likes of Marcel Broodthaers, Dieter Roth, and Daniel Spoerri.



Real Space-Time Poipoidrom No. 1 - Extension

2009年12月12日星期六

2009年11月20日星期五

Cindy Sheman变成老奶奶了


This is a collection of Cindy Sherman's latest photographs, some of which are on show at Sprüth Magers London until 27 May 2009. The artist, now 55, has acted as her own model throughout her career. Here, she is thinking about wrinkles, and in these images she has painted latex on her skin to create lines more dramatic than her own. She has covered them with orange pancake and rouge to create a meditation on ageing – and what happens when past-it skin and cash collide



Cindy Sherman: Untitled 470, 2008. Cindy Sherman

Sherman: Untitled 468. 2008. Cindy Sherman

Cindy Sherman: Untitled 475, 2008. Cindy Sherman

Sherman: Untitled 475, 2008. Cindy Sherman

Cindy Sherman: Cindy Sherman

Cindy Sherman: Untitled 477, 2008. Cindy Sherman

Cindy Sherman: Untitled 471, 2008. Cindy Sherman

Cindy Sherman: Untitled 467, 2008. Cindy Sherman

Cindy Sherman: Untitled 466, 2008. Cindy Sherman

Untitled #466, 2008. Cindy Sherman. Sprüth Magers Berlin London

Photograph: Courtesy of the artist. Metro Pictures and Sprüth Magers London


《无题电影剧照》是被国内谈论度极高的一组,转眼20年,当年的小美妞变身富贵、造作、古怪、干巴老妇了...



How I Made It: Cindy Sherman on Her 'Untitled Film Stills'

不是青春无敌,只是不化妆也好看